At first just 16 photos, dating from 1992, of a basically simple movement, combined in rhythmic variations. Each image is allocated to a note of a 12-tone scale, until the visual event of sitting down blends with the musical and becomes comical. Then blue sky, white clouds, black chairs and sensual entanglement in an earworm of a New Orleans tune and a 2D world of 25 frames per second, but full of rotation, reflection, refinement, time-lapse, pixilation, rotoscoping and illusion to the point of self-deception in this extended self-portrait that begins with a childhood photo from 20 years before the film, and ends with the drawing of an old man 20 years after it.